In August 1975, the Dead had just finished recording the album Blues for Allah when they decided to perform it for a select audience in a live setting, a month before the LP was to be released. The venue held 400 patrons, and was much smaller than the arenas or stadia at which the Grateful Dead usually appeared. In 19, Grateful Dead lead guitarist Jerry Garcia played a dozen times at Great American Music Hall (GAMH) with Merl Saunders. A remastered three-LP vinyl version was released in 2013. It was the first complete concert recording released commercially by the band. Ī high quality version of the concert was released on April 15, 1991, on Grateful Dead Records, presented on two CDs. Retrospectively, Rolling Stone magazine lists the concert as one of 20 "essential" live concerts by the Grateful Dead. The concert marked the first time that the album Blues for Allah was performed live in its entirety, along with eight other songs. Three weeks later, the concert was broadcast nationwide on FM radio through Metromedia, after which the radio show was widely traded by fans on cassettes, and sold in bootleg LP versions under various titles including Make Believe Ballroom, becoming the most widely circulated Grateful Dead bootleg. The matrix not only captures the audience and gives us some feel for the atmosphere of the Providence Civic Center, but it also replaces the board’s rough Stranger with an audience patch, giving us a much more copacetic recording of this ripping version.One from the Vault is a live album by the Grateful Dead, recorded on August 13, 1975, at the Great American Music Hall in San Francisco, California, for a small audience of radio programmers. Then don’t miss Bobby cheesing out in the Good Lovin’ closer before the US Blues encore caps it all.Ĭharlie Miller reworked the soundboard to this one, giving a crispy base for Hunter Seamons’s matrix that we have cued up here. The Other One eventually heads into a well-conceived Wharf Rat> GDTRFB. This percussive performance is like a tocsin call from the ancient past, as Mickey and Billy create some alternative, but vaguely familiar world. From the Drums, a ridiculous Space flows forth, distressingly alien and then suddenly luscious and comforting as it bubbles forth, gathering into a steamy Other One. After that, we get a frenetic Eyes that sets up a segues from Jerry’s blistering raw energy on the guitar to the immense power of the drummers as they break out the earthquake drum after the rest of the boys leave the stage. And that tasty nugget leads the way to a ferocious Estimated that is replete with earthy jams. But things really kick off a tune later with a fiesty Supplication jam that is as fine as it is rare. The second set, previously released as one of the Download Series, is a luscious tour-de-force, beginning with a powerful Samson. And while the rest of the set is delightful, the highlights of the first half have to be the Peggy-O and Althea, with Jerry just killing it on both. The band kicks things off with a super hot Stranger, and this despite the fact that they had just played the tune the night before.
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